The Collected Poems of Wallace Stevens

Product Description

This definitive poetry collection, originally published in 1954 to honor Stevens on his 75th birthday, contains:

- "Harmonium"
- "Ideas of Order"
- "The Man With the Blue Guitar"
- "Parts of the World"
- "Transport Summer"
- "The Auroras of Autumn"
- "The Rock"

Poetic Justice
Within reading the first few pages, one can feel the surge of guilt for the unjustice done to all the words we dont use anymore. Disuse of words defends the trashing.

A Reading of "Domination Of Black"
Watch Video Here: http://www.amazon.com/review/R2VMZK22ES51HF Wallace Stevens is really two poets, or rather, he is a poet slowly turning into a turgid metaphysician as one reads through this collection. The best of his poetry is in the earliest book here, Harmonium, with some other fine ones in the second book, Ideas of Order. - I notice that almost all the five star reviews cite and quote poems exclusively from these two early books as opposed to the four following ones and the section of poems entitled "The Rock" at the end.

The poem I read here is - naturally - from the earliest book, Harmonium. It is haunting, Imagistic and disquieting. It is Stevens at his best.

an exquisite enclopadeic and imaginative mind
They enter the new world naked,
cold, uncertain of all
save that they enter. All about them
the cold, familiar wind--

--from William Carlos Williams's
Spring and All (1923)

Looking at Sandro Botticelli (1444-1510)'s Birth Of Venus (ca. 1482), one can actually feel the fresh and fragrant breeze, the golden light, the bounty; the Italian painter is approaching 40 when he paints this. Reading Wallace Stevens (1879-1955)'s "The Paltry Nude Starts On A Spring Voyage" from Harmonium (1923), one senses a mind utterly quirky, brisk, assured; the American poet is in his early 40's.

The greatest American poet of the 20th Century
Wallace Stevens is my favorite poet. This collection was prepared late in his life and is in a sense definitive, though the excellent Library of America collection is to be preferred as including a number of additional poems (including the controversial long poem "Owl's Clover"), as well as alternate versions of some poems, juvenilia, and also Stevens's essays.

Stevens is known, it seems to me, in two separate ways. In the popular sense, he is known for a series of remarkable early poems, in most cases not terribly long, notable for striking images and quite beautiful prosody. Of these poems the most famous is surely "Sunday Morning" -- other examples are "Thirteen Ways of Looking at a Blackbird", "Peter Quince at the Clavier", "Sea Surface Full of Clouds", "Tea at the Palaz of Hoon", "The Emperor of Ice Cream", "The Idea of Order at Key West", "Of Modern Poetry". The great bulk of these come from his first collection, Harmonium, and indeed from the
first edition of Harmonium, published in 1923. These were certainly my favorite among his poems on first reading. And they remain favorites.

But his critical reputation rests strikingly on a completely different set of poems, all later than those mentioned above. (Though it must be acknowledged that at least "Sunday Morning" and "The Idea of Order at Key West" as well as two early long poems, "The Comedian as the Letter C" and "The Monocle de Mon Oncle", are in general highly regarded critically. And that most of his early work is certainly treated with respect.)

I think it's fair to say that "late Stevens" begins with "Notes Toward a Supreme Fiction", perhaps his most highly regarded work. Of course the terms "late" and "early" are odd
applied to Stevens. His first successful poems appeared in 1915
(including "Sunday Morning"), when he was 36. He was 44 when the first edition of Harmonium came out. That's pretty late for "early"! And by the 1942 publication of "Notes Toward a Supreme Fiction" he was 63. Indeed, his production from 1942 through his death in 1955 was remarkable: two major collections each with several long poems as well as at least another full collection worth of late poems, some included in this _Collected Poems_ but quite a few more not collected until after his death.

What to say about late Stevens? The most obvious adjective is
"austere". But that doesn't always apply -- he could also be quite playful. However, there is never the lushness of a "Sunday Morning" or "Sea Surface Full of Clouds" in the late works. The sentences tend to extraordinary length, but the internal rhythms are involving. The poems are all quite philosophical, much concerned with the importance of poetry, the nature of reality versus perceptions of reality, and, perhaps more simply, with growing old. (A Stevens theme, to be sure, that can be traced at least back to "The Monocle de Mon Oncle".)

So: Stevens is an impossibly wonderful, remarkable, poet, either early or late. His lush and imagist early work remains a delight, and his philosophically involving late work rewards rereading and concentration. He is a poet to whom you can return again and again, and he will always be new.

Complete Poems

Selected Poems (William Carlos Williams)

Selected Poems (New Directions Paperbook)

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The Necessary Angel: Essays on Reality and the Imagination

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